Historical Fiction—Hot off the Press

Book Reviews Notes from the Classroom

51UN6ZK2TYL._SX320_BO1,204,203,200_-1I love historical fiction. Strangely, the reason I seem to love it most is that I find it humbling in two ways.

First, the characters of historical fiction are almost always experiencing horrendous events or struggling against impossible odds that I have never had to face. Second, though I consider myself to be reasonably well versed in U.S. and world history, historical fiction routinely smacks me in the face with some historical event, time period, or consequence that I somehow completely missed. How, before I read Orphan Traindid I never know about the organized movement of thousands of young children into middle America during the Great Depression?

And how was I naively unaware of the largest maritime disaster in history before I read Ruta Sepetys’ new novel, Salt to the Sea?

The Plot

This brand-new piece of historical fiction follows four narrators during World War II: three teenage Prussian (now the area containing countries like Latvia and Lithuania) refugees and one young German sailor. Each carries a troubling secret that he or she has never told anyone. The three refugees meet on the road, each coming from a very different background and set of circumstances. They are all headed for the Baltic Sea, hoping to escape an encroaching Russian army by boarding a German ship headed toward relative safety. Unfortunately, it seems that safety does not always come as advertised.

Why It’s Worth Reading

There is so much to this book and its characters that make it fascinating and exciting. But it is also a well-researched fictional account of what may have occurred leading up to and during the worst maritime disaster in history. We’re talking about nearly six times as many deaths as the Titanic, and yet I had never before heard of the Wilhelm Gustloff or its epic demise.

I initially picked up this book because I am a huge fan of the author, Michigan native Ruta Sepetys, and her works Between Shades of Grey and Out of the Easy. This book did not disappoint. I was immediately captured by the fascinating and mysterious cast of characters: a talented art restorationist mixed up in the Nazi art-thievery plot; a nurse-in-training who is compelled to step in as local doctor wherever she goes; a naive and self-important German boy, bound and determined to serve the Reich in any way that will garner praise. How can one not be drawn in by these varied tales that come together so seamlessly?

The fast, short chapters, which each character tells in succession, added a sense of suspense and action that really kept me turning pages as well. I regularly hear from history teachers that they are always on the lookout for World War II novels that aren’t necessarily focused on the Holocaust, and this one is sure to be a hit, particularly because of its high-interest content but relatively low reading level. It’s a great classroom-connection novel and a fantastic find for historical fiction lovers everywhere!

Book Details

Reading Levels: AR = unknown , Lexile = HL560L
ISBN: 9780399160301
Format: Hardcover
Publisher: Philomel Books
Publication Date: February 2, 2016
Awards: None yet, but I wouldn’t be surprised if it received some eventually. It’s only been out for 3 weeks and it’s already got 4 starred reviews!
Source: NetGalley (I received an advanced copy in exchange for my honest review.)

pic of meBethany Bratney (@nhslibrarylady) is a National Board Certified School Librarian at Novi High School and is the recent recipient of the 2015 School Librarian of the Year Award.  She reviews YA materials for School Library Connection magazine and for the LIBRES review group.  She is an active member of the Oakland Schools Library Media Leadership Consortium as well as the Michigan Association of Media in Education.  She received her BA in English from Michigan State University and her Masters of Library & Information Science from Wayne State University.

Adolescent Accelerated Reading Initiative (Grades 3-12) Day 11

AARI is an accelerated expository reading initiative focused on academic literacy and critical thinking, designed as a short term intervention to drastically improve academic outcomes in students in grades 3-12.

 What is the teaching approach?

  • Responsive teaching
  • Critical methods of questioning
  • Textual analysis and making thinking visible
  • Building effective learning communities

Who will benefit?

  • Students below grade level in reading comprehension
  • At risk students
  • English Language Learners
  • Special Education students

What is required?

  • Administrative support and approval to teach a small class (fewer than 10 students)
  • Students grouped by current reading level
  • Commitment to ongoing professional learning and growth

 Questions:

For information regarding professional development, contact:

Dalyce Beegle    (248)209.2226

[email protected]

Mentor Texts: Reading Like Writers

Book Reviews Common Core Notes from the Classroom

shutterstock_151419089Secondary teachers continue to switch from old units designed around novels, to new Common Core State Standards units focused on skills and genres. As they do so, an instructional method that can support this shift is the use of mentor texts to “read like a writer.”

When a class reads like a writer, the teacher takes a descriptive approach, rather than a prescriptive approach, to instruction. It might help to think of this as an inquiry-based lesson. Instead of a teacher saying to her students, “Your essay must contain a thesis statement that sounds like this,” she might guide her students as they read another text, asking questions like, “When in this paragraph does this writer tell us what claim he’s making? How does he do it?”

It is clear that the secondary ELA world is catching on to this instructional method. It’s deeply rooted in our Common Core State Standards. Rather than requiring just the comprehension of texts, our anchor standards require students to analyze texts for word choice, structure, or “how purpose shapes the content and style of a text” (R.6). This analytical reading goes hand-in-hand with the descriptive approach taken when classes are reading like writers.

As our state makes the switch from ACT to SAT, the focus on analysis is even more apparent. The Teacher Implementation Guide produced by the College Board includes in its recommended instructional strategies the direction to “ask students to investigate the ways authors use word choice, structure, and other techniques….” Likewise, the new SAT essay does not simply ask that students be able to write their own persuasive essays; it requires that they analyze another writer’s argument.

A Book Focused on High School

It’s clear that this inquiry-based approach to reading and writing is profoundly important to secondary teachers. This is an enormous instructional shift for many teachers, especially for those in high schools. As they tackle new units and new assessments, they’ll need support. Some of our go-to mentors like Kelly Gallagher and Jeff Anderson have been writing about this instructional method, but the vast majority of writing that’s been done around mentor texts has focused on elementary classes.

41dIMvzIynL._SX395_BO1,204,203,200_That’s why it’s so exciting to see the recent publication of Writing with Mentors, by Allison Marchetti and Rebekah O’Dell. So many other great mentor-text resources have left secondary teachers like myself to adapt the work for my high school students. But this book is written by two teachers with a decidedly high-school lens.

As the authors put it in their introduction, “This book was written to help you understand the potential that writing with mentors has for your students.” The book starts with the writers’ understanding of the use of mentor texts. Throughout the subsequent chapters, the book transitions to students’ understanding, use, and ownership of mentor texts.

The first two chapters offer the most foundational support for high school teachers who are making the paradigm shift, from prescriptive instruction to reading like a writer. These early chapters outline the classroom essentials needed to foster this instructional approach. The authors describe creating conditions, space, and time for reading and writing, as well as the concept of choice.

The second chapter digs into how teachers should approach the planning and internalization of this method, or as the authors call it, “Developing a Mentor Text Habit of Mind.” This chapter offers concrete suggestions for the finding and building of mentor-text collections, as well as for storage, organization, and planning. It is essential reading for secondary teachers who are just starting to get their toes wet in this kind of analytical reading and writing.

A Book for Novices and Veterans

The subsequent chapters focus on how to use mentor texts throughout the writing process, from planning to publishing. Throughout the book, the authors include plenty of resources to support teachers at all levels of understanding. Included in these resources are examples of texts that the authors have used as mentors for various genres and purposes. These texts are explained throughout the chapters and again collected in an appendix, complete with URLs and QR codes for quick access.

I’ve only had this book since its publication this fall, but with all of my highlighting, markings in the margins, and sticky notes, it’s already looking pretty well loved. It seems like every time I turn around, I’m recommending it to someone new.

That’s because whether you’re a teacher who has been using mentor texts for years, or one who is just starting to grapple with the new units and standards, this book offers valuable support for a trusted instructional approach, one that’s guaranteed to help our students grow as analytical readers and writers.

Resources

Gallagher, K. (2011). Write Like This: Teaching Real-World Writing Through Modeling & Mentor Texts. Portland: Stenhouse.

Gallagher, K. (2014). Making the Most of Mentor Texts. ASCD , 28-33.

Marchetti, A., & O’Dell, R. (2015). Writing with Mentors: How to Reach Every Writer in the Room Using Current, Engaging Mentor Texts. Portsmouth: Heinemann.

Ray, K. W. (1999). Wondrous Words: Writers and Writing in the Elementary Classroom. Urbana: National Council of Teachers of English.

MKortlandt2Megan Kortlandt (@megankortlandt) is a secondary ELA consultant and reading specialist for the Waterford School District. In the mornings, she teaches AARI and literacy intervention classes at Waterford Mott High School, and in the afternoons, she works with all of Waterford’s middle and high school teachers and students in the Curriculum, Instruction, and Assessment department. Additionally, Megan works with Oakland Schools as an instructional coach for AARI. She has presented at various conferences including the Michigan Council for Teachers of English and Michigan Reading Association annual conferences.

A Great Graphic Novel to Engage Students

Book Reviews Notes from the Classroom

nimonaThe world can be separated into two groups—those who read graphic novels and those who don’t. Many adults still struggle with the value of a graphic novel. They wonder: Isn’t a graphic novel just a glorified comic book? How literary can a book full of pictures be?

Those of us who read and enjoy graphic novels know the truth—a good graphic novel can provide a reader with just as much literary merit as any other book. And when it comes to engaging reluctant or challenged readers, the possibilities inherent in a strong graphic novel only continue to grow.

So how does one target the good graphic novels? Follow a book blogger who reads them, of course! I just finished a fantastic graphic novel that has been nominated and/or won numerous awards (see Book Details below), and was even on the long list for the National Book Award for Young People’s Literature, amongst a cohort of standard prose novels. Read on to find out what makes Nimona, by Noelle Stevenson, so wonderful!

The Plot

Lord Ballister Blackheart is a villain. He has been one ever since he was kicked out of the The Institution of Law Enforcement and Heroics, after being betrayed by his childhood friend, Sir Ambrosius Goldenloin. They are now sworn enemies.

When snarky, shape-shifting Nimona shows up to become his evil sidekick, Blackheart is unenthusiastic. He does not now nor has he ever needed a sidekick. But Nimona proves to be rather useful, turning into ferocious beasts when they are faced with danger, or masquerading as an innocent child when they are working undercover. He may have to keep her around after all.

To Blackheart’s great surprise, the open book he thinks he has found in Nimona has a mysterious past, the kind of legend that may be her downfall. Will they be able to overcome these new obstacles together?

​Why It’s Worth Reading

Graphic novels can cover so much ground and come in so many different packages. It is instantly clear that one reason to read Nimona is the artwork. Beautiful, full-color illustrations accompany the story from start to finish.

But the story itself should not be overlooked. What starts off reading as an obvious hero-vs.-villain comic book, complete with fight scenes and crazy weapons, becomes a more humorous and complex tale with every page. Nimona’s attitude and hilarious dialogue set her apart as a character to remember, and the conclusion is surprisingly heart warming, despite both Blackheart’s and Nimona’s attempts to stay disconnected and distant from the other characters.

Not to be too practical here, but if fantastic images and an exciting, yet touching, story aren’t enough, there’s also the time factor involved in reading a graphic novel. Though you can spend as much time as you’d like pouring over the art as well as the text, reading a story propelled by pictures is never going to take as long as one driven strictly by text. You might be able to make it through a graphic novel in less than half the time it would take you to read a prose novel. Plus, some interesting studies show that your brain will access this kind of story in a completely different way as a result of the visual component.

If you’ve been thinking about trying out a graphic novel, grab a copy of this one. It’s a fast, exciting, even slightly moving way to dip your toes into the graphic novel pool.

​Book Details

Reading Level: AR = 3.1, Lexile = GN350L
ISBN: 9780062278234
Format: Hardcover
Publisher: Harper Teen
Publication Date: May 12, 2015
Awards: Tons! Long list for the National Book Award for Young People’s Literature, Slate Cartoonist Studio Prize for Best Web Comic, Harvey Award for Best Online Comics Work, Will Eisner Comic Industry Awards Nominee for Best Digital/Web Comic, Goodreads Choice Award Nominee for Graphic Novels & Comics.

pic of me Bethany Bratney (@nhslibrarylady) is a National Board Certified School Librarian at Novi High School and is the recent recipient of the 2015 School Librarian of the Year Award.  She reviews YA materials for School Library Connection magazine and for the LIBRES review group.  She is an active member of the Oakland Schools Library Media Leadership Consortium as well as the Michigan Association of Media in Education.  She received her BA in English from Michigan State University and her Masters of Library & Information Science from Wayne State University.

 

Read. Read. READ!

Notes from the Classroom Oakland Writing Project

JunkyardWondersjcktA few months ago, after soliciting ideas on social media, I selected The Junkard Wonders, by Michigan author/illustrator Patricia Polacco, as the Official Book of the Michigan Teacher of the Year 2016. The story compels readers to realize that no matter their ability, they are geniuses.

The message of The Junkyard Wonders is that we ought to seek out our genius, nurture it through hard work, and use our genius to contribute to the betterment of others and the world. We all belong, and we all have something to contribute to our communities, the book suggests.

This is a message that everyone needs to hear constantly. But no group needs to hear this idea more than our children—especially in the form of stories, read out loud.

As humans, our brains are hardwired for stories. We tune in naturally to the familiar architecture of a story arc, with its problems, solutions, characters, and settings. Joseph Campbell writes about the Hero’s Journey as a global story archetype, one that is common to all cultures around the globe. Our stories have always helped us not only to communicate, but to make sense of our world and realize our place in it. By reading aloud, we share these stories, and in doing so we create community.

People have also known for years that stories develop children’s vocabulary, improve their ability to learn to read, and—perhaps most important—foster a lifelong love of books and reading.

Associating Reading with Pleasure

main-centermastThe ability to develop a passionate reading life is crucial, according to Jim Trelease, author of the best-selling The Read-Aloud Handbook. “Every time we read to a child, we’re sending a ‘pleasure’ message to the child’s brain,” he writes in the Handbook. “You could even call it a commercial, conditioning the child to associate books and print with pleasure.”

This reading “commercial” is critical when competition for a child’s attention is so fierce. Between television, movies, the Internet, video games, and myriad after-school activities, the pleasures of sitting down with a book are often overlooked. In addition, negative experiences with reading—whether frustrations in learning to read or tedious “drill and kill” school assignments—can further turn children off from reading.

A child who does not have a healthy reading habit may suffer long-term consequences. As Trelease succinctly puts it, “Students who read the most, read the best, achieve the most, and stay in school the longest. Conversely, those who don’t read much, cannot get better at it.”

This is a relatively simple idea, and comes down to the importance of building a habit. Additionally, reading aloud is, according to the landmark 1985 report Becoming a Nation of Readers, “the single most important activity for building the knowledge required for eventual success in reading.”

Excitement in the Classroom

rick j-1

Auburn Elementary students after a read-aloud of The Junkyard Wonders

Recently, I read The Junkyard Wonders aloud to 5th graders at Deerfield and Auburn Elementary Schools, in the Avondale School District. The kids were enthralled with the story and connected easily with Polacco’s message of optimism, hope, and perseverance against all odds.

The next day, in an unrelated visit to Auburn, I stopped in the same classroom. What was most remarkable was that as soon as I entered, I was swarmed with kids who were thrusting their books in my face.

“Mr. Joe, have you read The Crossover?” came an inquiry from an eager 5th grade boy.

“I’m reading El Deafo. Have you read this book?” spat another.

“Look what I’m reading: Wonder. I love this book. Have you read it?” another asked.

I was flabbergasted that a read-aloud from the day before, to complete strangers, had created this instant reader-to-reader bond. I was reminded of out-loud reading’s intense power to stimulate a desire in the listener to grab a book and read more.

I felt part of a community of readers who talk about the stories they’ve read, try to make sense of them, and connect them to their own lives. Kids were so hungry to share their books with me. And they were hungry to communicate their excitement about stories—and to urge me to read, read, READ!

rick josephRick Joseph is a National Board Certified Teacher and has taught 5/6 grade at Covington School in the Birmingham Public School district since 2003. Prior, he served as a bilingual educator and trainer for nine years in the Chicago Public Schools. Rick is thrilled to serve as the 2016 Michigan Teacher of the Year. Through Superhero Training Academy, Rick’s students have created a superhero identity to uplift the communities where they learn and live.

Adolescent Accelerated Reading Initiative (Grades 3-12) Day 10

AARI is an accelerated expository reading initiative focused on academic literacy and critical thinking, designed as a short term intervention to drastically improve academic outcomes in students in grades 3-12.

 What is the teaching approach?

  • Responsive teaching
  • Critical methods of questioning
  • Textual analysis and making thinking visible
  • Building effective learning communities

Who will benefit?

  • Students below grade level in reading comprehension
  • At risk students
  • English Language Learners
  • Special Education students

What is required?

  • Administrative support and approval to teach a small class (fewer than 10 students)
  • Students grouped by current reading level
  • Commitment to ongoing professional learning and growth

 Questions:

For information regarding professional development, contact:

Dalyce Beegle    (248)209.2226

[email protected]

An Up-All-Night Fantasy Thriller

Book Reviews Notes from the Classroom

Red QueenI had a friend in college whose favorite Christmas tradition was to stay up reading all night on Christmas Eve. He had accidentally created this experience for himself in middle school when he received Jurassic Park as an early gift, and he had been so absorbed that he read until dawn. He spent each year after that trying to replicate the experience, searching for the most gripping, intense book to read while waiting for Santa.

I don’t think one needs an excuse or holiday to stay up too late reading, but I appreciated his sense of ceremony. He was a fan of fantasy and if we were still in touch, I’d recommend the thrilling YA novel that I just finished, Red Queen, by Victoria Aveyard.

The Plot

Mare Barrow has hated the Silvers her entire life. As a Red, she is bound for a life of servitude, poverty, and eventual conscription into the Army to fight a war waged by the Silvers. The Silvers have all of the power and money, and hold onto it using their rare special abilities—powers that allow them to manipulate the elements in addition to the Reds.

When Mare’s best friend, Kilorn, is conscripted earlier than expected, Mare is determined to find a solution to his problem. But her attempts to solve one problem lead to an even greater one—Mare, though her blood flows Red, is discovered in a very public forum to have an ability of her own. Suddenly, she is swept into the world of the Silvers, betrothed to marry the youngest Prince, and forced to live out her days among those she hates the most. So Mare chooses the only path that she feels she can reconcile herself to—join the Red rebellion group, the Scarlet Guard, and wage a revolution from within the palace.

Why It’ll Keep You Up Past Your Bedtime

Red Queen sucked me in right from the beginning. This is a plot-driven, action-packed novel with all of the substance needed to elevate it to “must-read” status. I have a weakness for stories where the balance of power is precarious and on the brink of upheaval. The intensity of such a situation is immediately gripping, which makes Mare’s world the perfect setting for a sleepless night. Not to mention the tension among her new “family” of Silvers and “friends” in the Scarlet Guard, which constantly keeps readers guessing about where alliances really lie.  

If that’s not enough, the wavering romantic interest from prince to prince will keep your heart beating with speculation. Oh, and have I mentioned that the ending is epic? Epic! You may not be able to sleep even after you finish because you’re still reeling from the shock of how all of the moving pieces come together at the conclusion.

But don’t take this recommendation on my word alone—Red Queen was the Goodreads winner in the category of Best Book from a Debut Author, garnering 46,698 votes! And if you find yourself whipping through it in the course of an evening, fear not. The sequel, Glass Sword, is expected for release on February 9. Schedule yourself another sleepless night for Valentine’s Day or mid-winter break!

Book Details:
Reading Levels: AR 5.2, Lexile HL740L
ISBN: 9780062310637
Format: Hardcover
Publisher: Harper Teen
Publication Date: February 10, 2015

pic of me Bethany Bratney (@nhslibrarylady) is a National Board Certified School Librarian at Novi High School and is the recent recipient of the 2015 School Librarian of the Year Award.  She reviews YA materials for School Library Connection magazine and for the LIBRES review group.  She is an active member of the Oakland Schools Library Media Leadership Consortium as well as the Michigan Association of Media in Education.  She received her BA in English from Michigan State University and her Masters of Library & Information Science from Wayne State University.

 

Readers Workshop (Grades 2-3), Day 5 of 5

The series will highlight the development of children as readers as well as the development of teachers as instructors and coaches in reading. Teachers should bring their own copy of the The Art of Teaching Reading by Lucy Calkins. Additional teacher resources will be recommended on the first day of class. This series will help teachers understand the structures of Readers Workshop. It will focus on preparing teachers to teach and coach young learners in reading skills and strategies necessary to promote lifelong reading.

Teachers will learn how to develop mini-lessons, explore ways to balance small group differentiated instruction with guided reading and strategy lessons, sharpen their use of one-on-one and partner conferring, along with assessing student reading to plan and modify lessons based on student needs.

This series will also focus on developing units of study, which organize the content of the reading workshop. The developed units of study will help teachers plan for their teaching in a way that moves an entire reading community along while supporting individual learners.

Presenters: Michele Farah, Ph.D and Shawna Hackstock

Readers Workshop (K-1), Day 5 of 5

The series will highlight the development of children as readers as well as the development of teachers as instructors and coaches in reading. Teachers should bring their own copy of the The Art of Teaching Reading by Lucy Calkins. Additional teacher resources will be recommended on the first day of class. This series will help teachers understand the structures of Readers Workshop. It will focus on preparing teachers to teach and coach young learners in reading skills and strategies necessary to promote lifelong reading.

Teachers will learn how to develop mini-lessons, explore ways to balance small group differentiated instruction with guided reading and strategy lessons, sharpen their use of one-on-one and partner conferring, along with assessing student reading to plan and modify lessons based on student needs.

This series will also focus on developing units of study, which organize the content of the reading workshop. The developed units of study will help teachers plan for their teaching in a way that moves an entire reading community along while supporting individual learners.

Presenters: Michele Farah, Ph.D and Shawna Hackstock

Life Lesson: Practice What You Teach

Notes from the Classroom

shutterstock_275161592As 2015 came to a close and winter break was upon us, I had some time to reflect upon my teaching practice, as I planned for my next units of study. I remembered how, at the beginning of the year, we received from our Literacy Specialist an immersion packet. The packet suggested several teacher-written pieces, which would go along with the units from Atlas.

The assignment was overwhelming to say the least. Several colleagues remarked that there was no way they were going to do that much writing, on top of everything else that had to be done.

But once we dug into the units with our students, we remembered quickly the importance of writing for—and with—our learners.

When students see me engaging in the writing I am asking them to do, they immediately view it as authentic. I always choose my stories carefully to avoid students’ copying my subject matter (a lesson learned in previous years). And I never do just one draft and call it good.

I have found that if I allow them to see my struggles and imperfections, they are more open to our revising and editing sessions with their work. I will intentionally write stories that I know need revision, allowing my students to see that even adult writing needs work. I write for them and use my pieces to write with them. We even do shared pieces based on shared experiences. Once, for instance, we brought a microwave into the classroom and popped popcorn so that we could all write a descriptive paragraph together. That was a lesson they never forgot!

The Conversation with Editing

Probably the best lesson for me with editing and revision has come through the writing of this blog.shutterstock_266285486 After I submit my pieces, our editor does his thing, which means inevitable changes to sentence structure, word choice, and sometimes even titles. I have to admit, it can be hard to take at times. This made me realize that I need to be more gentle in my approach with my students; more conversation needs to happen as I go through their pieces. It also made me realize how shared writing, revising and editing can help my students achieve better results.

So as I sat in my very quiet classroom planning our launch for our next unit, I decided I would try writing the assignments that I give students, lesson by lesson. I’ll find what fits, what doesn’t, and what I need to move around. I’ll analyze my points of frustration and do my best to anticipate what will be stumbling points for my students. Will it be perfect? No, of course not. But I’m sure I’ll learn a few things along the way that will make it better than if I taught it without trying it.

When it comes to writing, I’m not sure that practice ever makes perfect. But it certainly makes me a better teacher.

beth croppedBeth Rogers is a fifth grade teacher for Clarkston Community Schools, where she has been teaching full time since 2006.  She is  blessed to teach Language Arts and Social Studies for her class and her teaching partner’s class, while her partner  teaches all of their math and science. This enables them  to focus on their passions and do the best they can for kids. Beth was chosen as Teacher of the Year for 2013-2014 in her district. She earned a B.S. in Education at Kent State University and a Master’s in Educational Technology at Michigan State University.